My creative process involved appropriating international news headlines as personal dreams and engaging in psychotherapy. After months of regular sessions, the therapist, unaware of my artistic project, diagnosed our era with a "paralyzing fear of identity loss".

This insight became the foundation of my collection, which starkly explores the dichotomy between collective consciousness and the promise of modern luxury.

Evening armors embroidered with warfare ammunition, skirts perforated with bullet holes, kamikaze corsets, body bag blazers, immolated chiffon cocktail dresses, revolver-molded stilettos or heads worn as fashion accessories went down the runway using the language of luxury to invite the viewers to “dream” of contemporary uncertainty.

In total silence facing the jury presided by Azzedine Alaia, a model wearing special effects hidden under a white top suddenly blew up in the middle of the runway, like a kamikaze.

For a single, paralyzing second, the audience was gripped by fear, as haute couture dramatically transformed into a symbol of contemporary identity.